Through 9 thematic sections of the solo art exhibition “TOPOS”, photographer Ioulia Ladogianni refers to the internal narrative of an environmental mutation. She chooses the difficulty and slowness of the analogue era to express herself in the present day, where the arts adapt to a high speed production of ideas and imagery. It is her own vivid mode of expression that determines the aesthetic outcome of an idea and attributes the characteristics of the final representation.
The visual identity designed for the exhibition is a continuation of the visual style and the overall feeling that the works themselves emit. With an interesting duality between modernity and tradition, the design approach highlights the analogous expressive techniques used by the photographer.